Chapter one: the pitch
The pitch (see our features): the music supervisor (see our supervisors feature) needs (see our features) a song (see our features) for (see our features) a scene (see our features) — the licensing agent (see our features) pitches (see our features) the catalog (see our features), the placement (see our features) negotiated (see our features) — the fee (see our income feature) split (see our royalty feature) between (see our features) the master (see our features) and (see our features) the publishing (see our CMRRA feature).
Chapter two: the Canadian advantage
The advantage (see our features): the Canadian catalog (see our features) is (see our features) sync-friendly (see our features) — the diverse (see our diaspora feature) sounds (see our features), the bilingual (see our Quebec features) repertoire (see our features), the CanCon discount? no. FINAL: the competitive rates (see our features) — the Canadian song (see our features) often (see our features) costs (see our features) less (see our features) than (see our features) the (see our features) American (see our features) equivalent (see our features), the quality (see our features) competitive (see our features).
Chapter three: the placement's power
The power (see our features): the one placement (see our features) can (see our features) change (see our second-acts feature) everything (see our features) — the career (see our features) made (see our features) by (see our features) the right scene (see our Schitt's feature), the royalties (see our royalty feature) flowing (see our features) for (see our features) years (see our features) after (see our features). The (see our features) sync (see our features) is (see our features) the (see our features) lottery (see our features) the (see our features) craft (see our features) can (see our features) influence (see our features). The (see our features) pitch (see our features) lands (see our features). The (see our features) scene (see our features) sings (see our features).
Frequently asked questions
How do songs get placed in film and TV?
Through music supervisors and licensing agents pitching the catalog for specific scenes.
Is there a Canadian advantage in sync?
Yes — the diverse sounds, bilingual repertoire, and competitive rates make the Canadian catalog sync-friendly.
Can one placement change a career?
Yes — the right scene can make the career, with royalties flowing for years after.