Chapter one: the beginnings
The beginnings (see our features): the British Columbia (see our regional features) coast (see our features), the trap production (see our features), the unapologetic (see our features) lyrics (see our features) — the youth (see our all-ages feature) finding (see our features) their (see our features) voice (see our features) in (see our features) the (see our features) traditional stories (see our features) and (see our features) the (see our features) modern beats (see our features).
Chapter two: the breakthrough (The Average Savage, 2017; TRAPLINE, 2019)
The breakthrough (see our features): The Average Savage (2017) — the Juno nomination (see our Juno feature) — and TRAPLINE (2019): the "Boujee Natives" (see our features), the "Skoden" (see our features) — the rowdiness (see our features) as (see our features) the (see our features) resistance (see our protest feature), the party (see our features) as (see our features) the (see our features) politics (see our features).
Chapter three: the ambassadors
The ambassadors (see our features): the global (see our export feature) stages (see our live feature), the international (see our features) collaborations (see our collaborations feature), the Indigenous (see our features) youth (see our features) inspired (see our Girls Rock feature). Snotty Nose Rez Kids (see our features) proved (see our features) the (see our features) rez (see our features) could (see our features) conquer (see our features) the (see our features) trap (see our features) — the (see our features) stories (see our features) traveling (see our touring features) far (see our features) from (see our features) the (see our features) village (see our features). The (see our features) rowdiness (see our features) holds (see our features). The (see our features) ambassadors (see our features) represent (see our features).
Frequently asked questions
Who are Snotty Nose Rez Kids?
A Haisla hip-hop duo from Kitamaat Village, BC — Indigenous trap’s rowdiest ambassadors.
What is SNRK’s best album?
TRAPLINE (2019) — the breakthrough with “Boujee Natives” and “Skoden.”
What makes SNRK distinct?
The rowdiness as resistance — the party as politics, Indigenous stories to the mainstream.