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Letterkenny's Musical Muscle

Pay attention to a Letterkenny cold open: the stylized slow-motion vignettes — the hockey players strutting, the hicks scheming, the town existing in choreographed tableaux — are scored with a musical precision that half the audience feels without noticing and the other half definitely notices. The little Ontario comedy built one of the most quietly respected soundtracks on television: Canadiana deep cuts, hip-hop, punk, country, and original needle-drops, assembled into a score that functions as the show's eleventh character.

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Chapter one: the cold-open formula

The show's signature (see our TV-music features) is the cold open: a wordless, slow-mo scene — often shot in a single roving take — set to a song chosen with Tarantino-level specificity. The choices run the full Canadian gamut: the country's indie deep cuts (the Arts & Crafts/Mint-era catalog gets a workout — see our label features), classic rock staples, hip-hop and punk curveballs, and the occasional folk-traditional left turn — the perfect sonic map of the show's world (a rural Ontario town where the playlist runs from barn-dance country to trailer-park punk). The choreography is timed to the tracks (the slow-mo struts hit the beat drops with TikTok-ready precision), and the effect is the show's thesis in miniature: small-town life, rendered mythic — and the mythmaking is musical.

Chapter two: the Canadiana pipeline

The soundtrack's deeper function is promotional — the show has become a genuine discovery engine for Canadian music (see our sync features): bands report spikes when their track scores a cold open, and the show's music supervision (the same ear that built Schitt's Creek's? — no: keep it clean: the show's music team) has made it a point of pride to surface Canadian artists — the indie, punk, and country rosters of the national scene (see our features) rotating through the cue sheet like a curated playlist. In an era when Canadian content quotas are debated (see our CanCon features), Letterkenny simply does the thing: a Canadian show, scoring itself almost entirely from the Canadian catalog, and making it feel effortless. The Americans import it. The music stays ours.

Chapter three: the spinoff extension

The franchise's expansion (the Shoresy spinoff — keep it light: the spinoff continuation) has carried the musical identity forward — the hockey-world shows treat music as ritual (dressing-room tracks, warmup cues, the cold-open formula refined), and the original songs written for the franchise (the joke-songs and anthems) keep proving the team's musical comedy chops. The result: a comedy empire whose audience buys the soundtrack albums? — keep it light: whose audience tracks the cues, follows the bands, and treats the music as part of the show's language — which it is. Letterkenny made Canadiana cool to an international audience, one slow-mo strut at a time.

Why it matters

It matters because Letterkenny solved the modern TV-music problem (how to score a show distinctively when every dollar is contested) by treating the cue sheet as curation — Canadian music, chosen with love and timed with precision, functioning as character, setting, and thesis simultaneously. It's the most fun this website's subject has ever been on television. Pitter-patter.

Frequently asked questions

Who picks the music on Letterkenny?

The show’s music team curates the cues — with the cold opens timed to the tracks and a strong emphasis on Canadian artists.

What kind of music is on Letterkenny?

The full Canadiana gamut — indie deep cuts, hip-hop, punk, country, and classic rock — functioning as the show’s signature sound.

Did Letterkenny help Canadian artists?

Yes — bands report discovery spikes from cold-open placements; the show is a genuine pipeline for the national catalog (see our sync-licensing feature).

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